CURLEY WILLIAMS

 
artist: CURLEY WILLIAMS AND HIS GEORGIA PEACH PICKERS
label: COLUMBIA 20879
release: 1951, USA, 10" 78rpm
A-side: Lou'siana Serenade
(C. Williams)
B-side: Half As Much
(C. Williams)
comment #1:

recorded at September 13, 1951 (13:00-16:00)
Castle Studio at the Tulane Hotel, 206 8th Avenue North, Nashville, TN
producer: Don Law

Dock 'Curley' Williams - vocal, fiddle, electric mandolin
Jack Pruett - electric guitar
Loren 'Jack' Shook - guitar
Clyde F. 'Boots' Harris - steel guitar, vocal
Billy Diehl - bass
Carl 'Wimpy' Jones or Papa John Gordy - piano

comment #2:

No relation with Hank Williams, although they both knew each other well. They even played together sometimes.

 

also released on:
CD-481
artist: CURLEY WILLIAMS AND HIS GEORGIA PEACH PICKERS
label: BEAR FAMILY BCD-16666 AH
title: HALF AS MUCH
release: 2004, Germany, CD [29/75:46]
tracks:
  1. Fiddlin' Boogie (2:38)
    (Curley Williams) 1949
  2. Barbecue Rag (2:35)
    (Boots Harris) 1949
  3. No Not Now (2:34)
    (Curley Williams - Hank Williams - Mel Foree) 1949
  4. Shy Baby (2:24)
    (Harold Buskirk) 1949
  5. Mississippi (2:44)
    (Curley Williams - Billy Simmons) 1950
  6. Saturday Night Rag (2:43)
    (Boots Harris) 1950
  7. Whole Hog Or None (2:45)
    (Curley Williams - Wayman Masters) 1950
  8. Honey Do You Love Me - Huh? (2:32)
    (Curley Williams - Hank Williams) 1950
  9. Good Ol' Alabam (2:24)
    (Wayman Masters) 1951
  10. All You Gotta Do Is Whistle (2:21)
    (Sam Bassham - Alline Bassham) 1951
  11. String Steeling (2:40)
    (Boots Harris) 1951
  12. Between A Rock And A Hard Place (2:42)
    (Curley Williams) 1951
  13. Lou'siana Serenade (2:38)
    (Curley Williams) 1951
  14. Half As Much (3:06)
    (Curley Williams) 1951
  15. Texas Swing (2:16)
    (Zeke Clements) 1951
  16. We've Come A Long Way Together (3:13)
    (Ted Koehler - Sam Stept) 1951
  17. When You're Tired Of Breaking Other Hearts (2:36)
    (Curley Williams - Hank Williams) 1952
  18. What's The Matter With My Heart (2:00)
    (Curley Williams) 1952
  19. On The Okefenokee (2:04)
    (Curley Williams - Boots Harris) 1952
  20. Time And A Half Time (2:01)
    (Curley Williams) 1952
  21. No Not Now (2:09)
    (Curley Williams - Mel Foree - Hank Williams) 1949
  22. Leave Me Alone With The Blues (2:32)
    (Joe Pope) 1946
  23. Grandma's Turned Over Again (2:41)
    (H.H. Melka) 1946
  24. Woe Is Me (2:48)
    (Curley Williams - Joe Pope) 1946
  25. Georgia Boogie (2:58)
    (Joe Pope - Curley Williams) 1947
  26. Blue Melody (2:53)
    (Joe Pope - Curley Williams) 1947
  27. Good Ol' Alabam (2:26)
    (Wayman Masters) 1951
  28. All You Gotta Do Is Whistle (2:21)
    (Sam Bassham - Alline Bassham) 1951
  29. Between A Rock And A Hard Place (2:43)
    (Curley Williams) 1951

 

HANK WILLIAMS

 
artist: HANK WILLIAMS WITH HIS DRIFTING COWBOYS
label: MGM 11202
release: 1952, USA, 10" 78rpm
A-side: Half As Much
(Curley Williams)
B-side: Let's Turn Back The Years
(Hank Williams)
comment #1:

A-side is recorded at August 10, 1951, (7:00 - 10:30 PM)
Castle Studio, Nashville, Tennessee

Hank Williams - vocal, guitar
Jerry Rivers - fiddle
Don Helms - steel guitar
Sammy Pruett - electric guitar
probably Jack Shook - rhythm guitar
Ernie Newton or "Cedric Rainwater" (Howard Watts) - bass
unknown pianist, possibly Owen Bradley or Marvin Hughes

comment #2: B-side is recorded at December 11, 1951, (10:00 AM - 12:00 noon)
Castle Studio, Nashville, Tennessee
comment #3:

from the liner notes in "THE COMPLETE HANK WILLIAMS" (10CD-box, Mercury 314 536 077-2):

"When he was getting started in Shreveport in '48 and '49, Hank had worked with Curley Williams. Hank sometimes said they were brothers, but they weren't. He and Curley wrote several songs together, and hank and Audry [Hank's wife] even roomed with Curley and his wife when times were lean. Curley had been recording for Columbia since 1945 without much success, and Hank was probably trying to give his buddy a helping hand by recording Curley's "Half As Much". Rose [Fred Rose, from Acuff-Rose Publications. He became Hank's producer and songwriter mentor.] held back Hank's version until March 1952; by then it was clear that Curley's original wasn't going anywhere. Hank's version got to #2, and Rosemary Clooney's pop cover got to #2."